Glass unlike any other medium possesses the remarkable qualities of transparency and flexibility. This allows not only the formation of a full bodied sculpture but also the ability to create depth within the walls of the glass vessel. My imagery is directed towards creating a sense of perspective. While hot, glass can be bent, twisted and folded into complex convoluted capsules. These capsules are self contained elements full of detail and animation. I then use these elements to build a baroque surface, alive with activity, complete with the illusion of foreground and distant background.

On a different level my work carries a message about boundaries. The boundaries between order and chaos. When we see structure, the edge of it's order is imposing a limit to the extent of the chaotic world in which it exists. Imposed limits induce competition and competition determines the rise and fall of empires, the survival of entire species. Metaphorically, an island represents order and the sea chaos. The shoreline defines the limit of the waters edge and the sea in turn shapes the island contour. It is this competition between what is straight and flat with that which is contorted and wrinkled which forms the glass vessels into their sinuous, coastal tracings. This struggle is echoed at every level in our environment and is the heart of the engine driving evolution.

The surface of my glass depicts colorful abstractions of flora and fauna. Minerals and vapors dance in the realm between dimensions. The designs, though basically flat, two-dimensional objects, reach out towards the third dimension to suggest forms with volume. Intermingled layers of clear, tinted and opaque glasses combine with dichroic and polychromatic filigree to create a chaotic fabric. Through juxtaposition and happenstance the viewer will see new order emerging. Hidden structure can suddenly appear. I work with reflective and transparent areas. This allows some things to be seen while hiding others, evoking a sense of adventure and discovery. Most of all I want people to wonder "What's on the other side?"

Illusive, defiant of straight line logic, glass lends itself well to my ideas. Intuition is the key to working this material. Hot glass is so sensitive that sometimes even a subtle breath sends it reeling. Yet the finished vessel is capable of withstanding thousands of years of admiration. Captured like a snapshot, the real life motions of fire and water are mirrored in glass. The source of my inspiration comes from the ability of glass to carry that feeling of movement.